The only trace of the earlier storyline is a mention of the high-rank Arquillian the Bug kills having a peculiar bone structure (hinting at an organic being as opposed to a human-shaped vehicle like Rosenberg’s). Additional sequences of the MIB agents commenting on the war were cut. The original conflict was narrated through key sequences that could be edited or cut without the need for additional reshoots: the dialogue in the restaurant scene was changed to subtitled alien language Frank the pug’s expository lines were rewritten and dubbed and the MIB headquarters screen showing the crossfire between the Arquillians and the Baltians and their communications with the MIB was altered to a single Arquillian battle cruiser. Rosenberg himself became a member of the Arquillian royal family. The new concept involved the Bugs attempting to steal the Arquillians’ galaxy - with the Baltians excised completely.
Then the two galaxies decide to make peace… and the bugs send this guy down to make sure the fighting never stops.īy killing the emissaries, and stealing the galaxy they’ve been fighting about.Īfter a test screening left the audience confused regarding this articulate political subplot, producers requested Sonnenfeld and crew to simplify the storyline. And the only people who’ve been benefiting are a race of creatures called bugs. So two galaxies have been fighting for years. Sonnenfeld explained: “in the original script, two warring parties - the Baltians and the Arquillians - were fighting over this very small galaxy and this third race - Edgar’s race - had come down to steal this galaxy to keep the war going between the Arquillians and the Baltians because as long as the war continued the Bug race would be able to feast on the carnage of both parties.” The Bug’s plan was to steal said galaxy to keep the war going - because its race fed on its spoils. Originally, Rosenberg was an emissary of an alien race called the Baltians, sent on Earth for a peace treaty with the Arquillians - another race the Baltians had been fighting over a miniature galaxy. Sonnenfeld was so fond of the initial concept so much he asked for the design to stay close to that configuration. “They liked the idea so much that they cut out the bar scene altogether and then wrote a completely different scene with the Rosenberg alien,” Setrakian said, “which had dialogue and became this thing where it was revealing one of the plot points of the film.” The alien and cockpit design was further refined by Huante following its new central role in the film. Gentle, a character that in the final film became Rosenberg.
”ĭuring development, the bar scene was excised - replaced with the worm guys - but the Chucky design and idea was so well-received that Sonnenfeld decided to use it for Mr. Inside he would have little monitors through which he could see. Mark and I talked about the alien at lunch and yes, the idea of an alien with foot pedals, levers and monitors was Mark’s idea.” Baker added: “the idea that we came up with was this face that opened up like a door, and there would be a little green man inside working his levers - he would be waving, pull a lever and close it back. Let’s do something better.’ He said ‘you guys come up with something better for tomorrow morning.’ We were leaving for lunch. Baker assigned crewmembers Jim McPherson and Mark Setrakian the task to concoct a new alien concept for the sequence.
In addition, they noticed similarities with the 1985 film Cocoon - in which the aliens’ real appearance is that of luminous humanoids. That’s how it was described in the script.”īaker and crew agreed that this sequence was too dialled back and lacked punch.
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They were sitting in a bar and he said, ‘hey, like Chucky here, the bartender, he could be an alien.’ The bartender lifts up a little bit of skin around his neck and you see some light come out. “I’d been reading the script and there was a scene where Kay was going to reveal to Jay that there were aliens among us.
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“The Rosenberg alien came about in a really interesting series of exchanges,” Setrakian said. The idea of a minuscule creature hidden within a human-shaped vehicle stemmed from an early elaboration of a key scene in a script draft. Gentle’ by the crew - designed directly after classic depictions of grey aliens with large eyes and craniums. Rosenberg is revealed to be a mechanical human disguise that houses a small, green humanoid alien - dubbed ‘Chucky’ or ‘Mr.
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